Back From Before
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Back From Before

Released Date:
01 May 2010

Artists:
David Rees-Williams Trio

Recorded In:
Music Room, Champs Hill, West Sussex 27-29 October 2009
Clyde St., Canterbury 29-30 January 2010

Producer:
Alex Van Ingen
David Rees-Williams

Engineer:
Alex Van Ingen

Genre:
Jazz / Ragtime & Blues
Piano

Total Time - 69:11

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  Back From Before  
  Music arranged by David Rees-Williams  
   
 CHARLES-MARIE WIDOR
1  Symphony No.6 (organ), Movement 1 7:31
 SAMUEL SEBASTIAN WESLEY
2  Wash Me Throughtly 4:46
 ORLANDO GIBBONS
3  The Queenes Command/Preludium 5:44
 GIOVANNI BATTISTA PERGOLESI
4  Stabat Mater / Se tu n'ami 6:23
 SAMUEL WESLEY
5  Gavotte 3:02
 JOHANN SEBASTIAN BACH
6  Prelude in C major / Partita No.2 in C minor 10:40
 PETER IL'YICH TCHAIKOVSKY
7  Symphony No.4, Movement 2, Adagio 7:02
 WOLFGANG AMADEUS MOZART
8  Gigue in G, K.574 3:49
 JOHANN SEBASTIAN BACH
9  Das alte Jahr vergangen ist 5:37
 WOLFGANG AMEDEUS MOZART
10  Ave Verum Corpus 5:37
 SAMUEL SEBASTIAN WESLEY
11  Lead Me Lord 6:00
 C.H.H PARRY
12  Laudate Dominum 3:00
Back from Before – David Rees-Williams Trio

The David Rees-Williams Trio presents another innovative collection of re-interpreted historic music in a modern jazz flavoured medium. Back from Before follows previous recordings by the Trio, presenting classical music with a contemporary accent. There seems to be an inexhaustible supply of inspiring and musically suggestive themes from all eras just waiting to be breathed on; while many of these are little known, some will be familiar only to churchgoers, and ex-choir members.

The Trio writes: ‘This is an eclectic collection whilst having an obvious leaning towards church repertoire. I felt that the Wesleys very much needed to have their case stated – they were highly gifted melodists and their tunes connect strongly even to the previously uninitiated. Widor, also largely unknown except to organists, provides a theme of huge impact. Orlando Gibbons gives us a broad grin for his galliard and manic prelude! As ever, J.S. Bach proves that he was probably responsible for the most adaptable music around and Parry shows us how to write the perfect hymn tune. Mozart demonstrates his dual personality in the wackiness of the Gigue contrasting with the remarkably memorable theme Ave Verum. Pergolesi, meanwhile, pulls at the heart-strings and Tchaikovsky can “do commercial” too! We are so lucky to have been left this legacy.’

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